The artwork
A clay representation of a mobile phone with cuneiform markings, made in 2012. The combination connects two eras of recorded communication.
In 2012, a clay artwork united a mobile telephone with ancient cuneiform. Later, its photograph travelled the internet as evidence of an impossible archaeological discovery. This archive separates the object, the image and the stories told about both.

Babylonokia is not an archaeological discovery. It is a modern artwork whose image acquired a fictional past.
A clay representation of a mobile phone with cuneiform markings, made in 2012. The combination connects two eras of recorded communication.
Online posts later claimed that archaeologists had found an 800-year-old phone in Austria. No such archaeological discovery took place.
Fact-checkers and researcher Cor Hendriks traced versions of the story, its transformations and its international spread.
“A real image can become evidence for a story that never happened.”
Dates refer to documented publications and investigations, not to an assumed single point of origin.
The clay artwork is documented in 2012; the Wikimedia Commons file records a date of 6 January 2012.
↗ Original photographCor Hendriks identifies a Facebook discussion from this date. It is an early known trace, not necessarily the first appearance.
↗ De Babylonokia Hoax – earliest tracesReports about a supposed ancient or alien mobile phone circulate internationally. The Austrian ORF addresses the claim on 31 December.
↗ ORF – “Alien phone” allegedly discoveredSnopes and other fact-checking sites explain that the supposed archaeological find was a modern artwork.
↗ Snopes – alien cellphoneCor Hendriks publishes a multi-part investigation into the evolution and circulation of the Babylonokia story.
↗ De Babylonokia Hoax – introductionMimikama documents renewed circulation through social platforms and updates its fact check.
↗ Mimikama – fact checkThe archive distinguishes confirmed records from interpretations. Repetition of a claim is not independent evidence.
A photo of an art object was repeatedly framed as evidence of an archaeological find.
Versions referring to the 13th century BC and to an “800-year-old” object cannot both describe the same age.
Reposts, translations and embedded videos could make the same underlying claim look like many sources.
Deleted pages and changing online archives make the earliest sequence difficult to establish conclusively.
A source-led reconstruction. These records document what was published and when; they do not establish an undisputed first post or identify every person who reused the image.
Wikimedia Commons records the image as the creator’s own work, dated 6 January 2012, with attribution to Karl Weingärtner and a CC BY-SA 4.0 licence. The date is the file’s stated work date, not proof of the earliest web upload.
Inspect the image record ↗Cor Hendriks cites a Facebook discussion reproducing an earlier caption and referring to an Art Replik Flickr page. He explicitly cautions that this is the earliest trace he found, not necessarily the first circulation of the claim.
Read Hendriks’ reconstruction ↗On 31 December 2015, ORF reported the viral allegation and identified the object as a clay artwork by Karl Weingärtner. Its story documents the public correction, not the original source of the viral claim.
Read the ORF report ↗A January 2016 Truth or Fiction article describes the move from an ancient phone claim to alien-technology accounts. Some of that early article’s own explanations were provisional; its record is useful evidence of how the rumour was understood at the time.
Read the 2016 fact check ↗Verified: an artwork and the documented existence of dated reports and image records. Attributed: Hendriks’ reconstruction of early online traces. Open: the identity of the first re-poster, the complete chain of copies and the precise origin of each altered caption. Do not mistake multiple reports for multiple independent witnesses.
Selected accessible sources, marked by type. Links open the original reporting, research or record.
Creator attribution, date and CC BY-SA 4.0 licence.
A contemporary Austrian report documenting the viral claim and the artist’s response.
Beginning of a long-form reconstruction of the international hoax.
Documents a December 2014 trace; not proof of the first-ever posting.
Explains the artwork and its later reuse in viral videos.
Independent rebuttal of the archaeological discovery claim.
Discusses deleted online sources and archived screenshots.
Early English-language fact check tracing versions of the rumour.
Later statement by the artwork’s creator; a first-person position, not independent corroboration.
Reports on the artwork and the creator’s earlier book about conspiracy theories.
A narrative account of an artwork that was given a counterfeit past, following its journey from a workbench into the global media ecosystem.
Karl Weingärtner · English edition